Young hero Sri Vishnu makes movies with novelty. Lays carpet for different concepts. Does the film touch the mind of the viewer? Or not? Yours is more focused on that. In addition, he makes sure that almost all his films have Telugu titles in the Telugu language. Thus Annamayya took the word Bhala Thandanana in the kirtan and made a film with the same title. 

The film, directed by ‘Banam’ fame Chaitanya Danthuluri, was highly anticipated by Vishnu. And did this movie bring success to Lord Vishnu? Did he share something new with the audience through his film? How is the movie? Let’s see in the review.

Story of Bhala Thandanana 

Shashirekha (Katherine) works as an investigative journalist in a media company. Knowing that there are IT attacks on an orphanage .. he goes there to cover that news. An acquaintance is made with Chandu alias Chandrasekhar (Srivishnu), the orphanage accountant who was there at the time. As the two approach, a series of assassinations take place in the city. 

As the hawala king Anand Bali (Garuda Ram) was a man during the weeks of the murder .. Shashirekha takes this case seriously and studies it. It is learned that Rs 2,000 crore hawala money was stolen from Anand Bali during this period. Shashirekha publishes this news in his media company and informs the world. What happened after that? Who stole Rs 2,000 crore so far? What has Chandu got to do with this theft case? That’s the rest of the story.

How is it…

Chaitanya Danthuluri was impressed with films like Banam and Basanti. After a long gap, he screened the crime thriller ‘Bhala Thandanana’. The point chosen by the director is new. He added comedy and love to the crime thriller in an attempt to impress all types of audiences. However, this is a bit of a minus for the film. Despite the many twists and turns in the story and the thrilling scenes, it feels like a routine movie due to its comedy and love track. 

He spent most of his time introducing the characters in the First half. The director succeeds in telling the audience the real story of a kidnapping happening. A series of murders .. Fastoff ends with a love track between the hero and the heroines. The Love Failor Story that the hero tells in the form of a song is hilarious. The longer the interval the twist is, the more interest there is in the second half. 

In the second half, the whole story was Rs. 2000 crore hawala money revolves around. What has Chandu got to do with that money? Where is it hidden? Curiosity is aroused by the viewer. Although the climax is new .. it feels cinematic. Who is the real hero? What is his past? Rs. Where did he hide 2000 crores? Without saying anything .. he ended the story by saying that there is a second part. Without any pornography .. The movie goes on as a clean entertainer.

As always, Lord Vishnu excelled in his role. Impressed with his performance as an innocent emperor in Fastoff and a man with different shades in the Second half. Compared to previous films .. in which Srivishnu has shown maturity in acting. She later tried to persuade Catherine to become an investigative journalist. Catherine‌ who came forward to the audience several days later .. looked a bit plump on screen. She dubbed the film. But it did not hurt. 

‘Madam, the Telugu you speak .. is like English’, he said in a dialogue with the hero and tried to convince the audience. Garuda Ram impresses as a villain. However he lacks strong scenes‌ minus‌. In the role of Dayamayam with negative shades, Posani Krishnamurali not only excelled but also laughed with his own comedy. The comedy scenes that come with the truth in Fastoff are impressive. The rest of the cast acted within the confines of themselves and their roles.

In terms of technology .. Manisharma music is another major strength of this film. He enlivened some scenes with his own BGM. Suresh Raghu’s cinematography is good. Editor Marthand K. Venkatesh had to work harder for his scissors. Some scenes in Fastoff had to be cut more crispy. The production values ​​are in line with the cinematic level.