RRR… This has been the mantra for fans of the two top heroes for the past three years. If Rajamouli’s release after Bahubali is one reason .. Biggest multistarrer starring mass heroes like NTR and Ram Charan is another reason why this movie has gained craze across the country. It was released today amid huge expectations after getting the same level of hype in the market after a long time. How is the RRR that has been simmering for years? Receiving expectations ..? Let’s see.

Story: During the 1920s, some whites from the forests of Adilabad forcibly took away a gondola. Those who live together send their leader for those sins. The British government is spying on him, knowing that he has come across a tiger that can even confront a wild tiger. Hiding his identity… The tribal leader is looking for sins in the city. 

On the other hand, working as a policeman in the British government… The king is sincere enough to spoil our countrymen for their orders. Such a king is given the duty of capturing the tribal leader Bhim. How these two met like different poles. Have you become friends .. or have you remained enemies ..? Why is there so much transplant in the king… What is his background is the rest of the story.

Naturally, Rajamouli cinema has new themes. Although this is a pre-independence fictional story, the audience becomes fixated on the fact that we are seeing a wonderful story with two strong identities given to the two main characters. That way he enters the story directly without taking much time. From introducing the two heroes .. their friendship and feud are all wonderfully written. Setting the visual grandeur so that Sepu is at a range as far as these two angles can be seen makes it clear within the first half-hour that RRR is going to receive the projections.

Going to Delhi and looking for the jasmine they had taken from their good .. Bheem who changed his name to Akhtar .. working for an ambition .. the king who did not even hesitate to act a bit cruel for it .. connects the two in a train accident. Meet and make friends save a child. The king finds Bhim and befriends Akhtar. 

Etu Bheem also befriends the daughter of the British queen in an attempt to save her from the British unknowingly. She loves him. All the scenes in this sequence carry the story forward while remaining entertaining. Especially illiterate Bheem .. Scenes of embarrassment with an English girl are laughable. Also, the Natu Natu song situation is amazing. NTR, Charan has made the theaters flutter with more mass steps than seen in the song so far.

Multistarrer of top heroes .. Whose character is that ..? Whose elevation is ..? Whose hand is it ..? That said, there are many doubts. Rajamouli has fears in this regard. That is why he has been saying that the two characters have equal importance. One said water if one catches fire. But on the screen, if the fire-like vessel is like water .. the water-like vessel appeared to be like a flame.

In fact, to watch a good movie, there should be no dimensions between the characters and no assessment between the scenes. How a character behaves, what character range they belong to should be there. Characterizations should appear. Rajamouli did the same. He gave both of his mass heroes different backgrounds as well as different characters. 

NTR and Ram Charan were cast in these two roles. It is no exaggeration to say that theaters were overwhelmed by the two entry scenes. Especially in the movie Magadheera, Rajamouli changed the image of Charan with the dialogue ‘Rammanu Rammanu’ at one time… This time he sent himself to a thousand people… If the NTR starts hunting for an animal .. exceptionally the appearance of a tiger .. such as hunting itself are sequences that do not turn a blind eye.

If two top heroes act .. no matter how much .. assessments are made in terms of acting. Whose weight will look like? Hats off to Rajamouli for his precautions in this regard. The great actors of the two were wonderfully adapted to suit their respective roles. If NTR lives in the role of Kasta Mondodi as Bhim .. Ram Charan as the intelligent and mature man has excelled in that role. 

Especially in all the scenes between the two, they competed and got very excited. The narrative is more impressive than the story in Rajamouli movies. The elevation is higher than Establish. Performs action sequences wonderfully to mesmerize the masses. All of these appear in RRR at a higher level than ever before. 

The episode that precedes the interval will not get anyone’s imagination. If you watch the fight between the two heroes .. it looks like Full Meals to the mass audience. There are up to seven such great action sequences in the movie. With this, the audience unknowingly immerses themselves in the story.

Rajamouli’s vision as a director is just to entertain. Even as massive as it can be. The one who is capable of ordinary heroes would be shocked if he finds such extraordinary stars .. was shocked. What can we expect from the heroes… it’s not a double but a triple dose. Whose hero fan has shaped their characters so massively without even giving them a chance to talk less about another hero.

Everyone knows how important technicians are to stories like this. Rajamouli, however, has court technicians in the matter so he always takes the best output from them. Cinematography is the next level though. There are many CG shots… If all of them look natural, then cinematography is the first thing to appreciate. 

If it is not captured perfectly, no matter how many visual effects .. it does not look great. Keeravani’s music is a bit behind the word ‘awesome’ this time around. No matter how deceptive the story is .. it feels like a bit of exercise needs to be done in terms of the story. 

Also, Burra Sai Madhav did not show previous sharpness in dialogues. There is less opportunity for great dialogues… Those less are not used much. Matched with simple dialogues. There also seems to be the possibility of a little trimming. Sometimes it feels like the artwork, production values, sets are all local. The Delhi sets in particular were not so great.

Alia Bhatt was treated unfairly in the case of artists. It’s a junior artist range character. There seems to be no relevance to this character. Feels like it was just taken for the Bollywood craze. Also, Ajay Devgn ended the role meaningfully. Whether Samudrakhani is there or not seems to be an indication of how poor his character is. There are no sparkles in the other characters either. There is no main reason for that.

Any actor who understands their role will transcend into it. NTR and Ram Charan did the same in the case of RRR. There are some minuses in total .. RRR O Visual Feast. Rajamouli is also hooked on unpredictable action sequences throughout the imaginative story. 

He proved once again that he is the most powerful director in the field of commercial films and he never looked back. O Range Mania is running on RRR. It will be clear in a couple of days what range this will take the film commercially. Until then, let’s see what the film is doing.